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Far East This is a long page. Most of the plucked instruments of the Far East look quite similar, clearly originating from a single (Chinese) source. Even the names are often quite similar, although usually you can distinguish (by small differences) the instruments from each particular country or region. So on this page you find the instruments from China, Chinese minorities, Mongolia, Tuva, Buryat, Japan and Korea. Because Vietnam (where over the years/centuries lots of Chinese refugies have moved to) appears to have very similar instruments, this country is also included on this page. For Tibet and West China and some folk instruments see Central Asia. For Philippines see South East Asia.

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pipa example : bought in Hongkong 1984 L=1020 B=315 H=70mm scale 725mm You Tube	pipa The pipa is the main lute of China. Old pictures show it must have been known for more than 2000 years; it is still the most popular plucked instrument. See under for other types of pipa. The name comes from the finger movement : pi (= play forward) and pa (= play backward). The body and neck of the pipa are carved from one block of heavy hardwood, painted black. The front is made from some soft wood. The first 6 frets are triangles of wood, with a bone rim. The other (about 25) frets are small strips of bamboo, about 1cm high, glued on the front in a (nowadays) normal western scale of 12 tones to an octave. The peghead is sickle-shaped and ends in a curl to the front, with a special Chinese type decoration of different woods. The four long grooved friction pegs (ending with slices of different woods) are with two on both sides of the open peghead. The four silk (Or steel) strings are fixed to a nicely shaped bamboo bridge, glued to the front. There is no soundhole, except one tiny hole under the bridge. Tuning is A d e a. The pipa used to be played with bare fingers, although since the original silk string are replaced by steel strings (for more volume) it is played with nail picks, taped to the thumb and all fingers, or with a plectrum. It is usually played in an upright position with the body resting on the left thigh. The picking direction is opposite that of guitar-playing : the fingers flick out and the thumb pulls up (nail first). Often a mandoline-like tremelo is used, by playing "rolls" with alternating fingers. The music is (for centuries) written in special tablature, indicating string, fret position, finger, direction, volume, etc. The pipa is used in all Chinese orchestras for accompaniment, but there are many solo pieces, usually reflecting some mood, or celebrating some historical happening (often some battle). For more information about the history of the pipa see : Liufangmusic. Note that in some areas they use different pipas : the nanyan pipa and the naxi pipa (see both further on).
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ruan example : bought via internet from Apollo'sAxes, 2005 L=730 B=310 H=85mm scale425mm You Tube	ruan The ruan is the Chinese "mandolin". It comes in several sizes : gaoyinruan (soprano), xiaoruan (alto), zhongruan (tenor), daruan (bass) and diyinruan (contrabass). Only the zhongruan (tenor) and daruan (bass) are commonly used in Chinese orchestras. The body of the ruan is made from two round pieces of soft wood of about 30 cm diameter for front and back, with a shallow rim of hardwood around them. Usually there are two soundholes (round or other shape) on the front. The neck is joined to the body, and has a raised fretboard. The peghead is sickle-shaped and ends in a curl to the front, with a special Chinese type of decoration, made of different woods. The frets are small strips of bamboo (or plastic), glued on the fretboard, in a normal western scale (12 frets to an octave). The 4 long (grooved) friction pegs are placed two on each side of the pegbox. They have an invisible tuning mechanism inside the peghead, which turns the pin on the front of the closed peghead. The 4 steel strings run over a loose bamboo bridge to a wooden stringholder at the bottom of the body. Tuning could be G d g d' / G d a e' (tenor) and D A d a / C G d a (bass). The ruan is played with a plectrum. With sizes ranging from large, medium to small, the modern ruan is capable of producing a variety of tones that range from rich to delicate. It is often used in orchestral performances, as well as for accompaniment of folk operas. the tuning machines are inside the closed peghead, with traditional looking pegs For much more information about Chinese instruments, see : Chinese music.
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yueqin example : bought from Ray Man Musicshop, London 1977 L=640 B=370 H=40mm scale 370mm You Tube	yueqin / yueh qin The yueqin (or yueh qin, or yueh chin) is the Chinese "moon-guitar" and looks quite similar to the ruan. For the different yueqin from the minorities and from Taiwan see under. For the similar Japanese Gekkin see Japan. The body of the yueqin is made from two round pieces of soft wood of about 30 cm diameter, for front and back, with a shallow rim of bended hardwood around them (thinner than the ruan). There is only one tiny sound hole under the bridge. The short neck with the pegbox is made of one piece of wood and goes through a hole in the side of the body. The peghead is sickle-shaped and ends in a curl to the front, on which a flat piece of wood is glued, usually with special woodcarvings or some ivory/plastic decoration. The 4 long (grooved) friction pegs (with often different coloured slices on the ends) are on both sides of the half-open pegbox. The frets are small strips of bamboo, glued on the neck and front, in a Chinese scale (7 to an octave) or nowadays also in a western scale. The 4 silk (or nylon or metal) strings are fixed to a (half round) hardwood bridge which is glued to the front. Tuning of the 4 strings could be : g d' g' d''. Some yueqin have the 4 strings in two double courses, and some have only 3 single strings. The yueqin is played with a long plectrum, in mandolin-style.
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liuqin example : bought via eBay 2006 L=630 B=235 H=65mm scale 410mm You Tube	liuqin The liuqin (pronunciation: Lee-oo-chin) or liuyeqin, is the small relative of the pipa. It's name derives from the fact that it looks like a willow leaf (ye is leaf, liu is Chinese for "willow"). It would originally have been made of willow too, but new models are made of tong and sandal wood. The example instrument is a modern, cheaper version where everything black is made of black plastic. In general the liuqin is made like the pipa. So the body, neck and pegbox are carved from one piece of hardwood, and painted black. The front is made from some softwood. All frets are made from strips of bamboo and in a normal western scale. Usually there are two soundholes next to the strings on the front, each covered with an ivory (now always plastic) pierced rosette. The pegbox is sickle-shaped with a forward curl that ends with a special decoration of different woods/plastics. It has 4 long grooved wooden pegs, two on each side of the open pegbox. The 4 steel strings run over a small (rounded) bamboo bridge to some pins on the edge of the body. The tuning is g d' g' d''. The liuqin is played with a plectrum, and is mainly used in the accompaniment of folk operas, although quite often it can be heard as a solo instrument. Because of its shorter strings & relatively small resonator, the liuqin is noted for high pitches and distinctively bright tones. On some liuqins the tail has a special device to fine-tune the strings.
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nanyin pipa example : bought via Chinese friend in Quanzhou 2009 L=960 B=320 H=50mm scale 720mm You Tube solo with song You Tube Nanyin ensemble The frets on the example are made from turtle-like plastic.	nanyin pipa Besides the normal pipa there is an other style pipa, called the nanyin pipa, (or short : nanpa) or "Nanguan pipa" ("southern pipa") or sometimes "horizontally held pipa". It is mainly used in the Fujian region (South East) and on Taiwan. The body is more or less the same as the normal pipa, the main differences are the frets, the pegbox and the black coloured soundboard. The neck and body are carved from one piece of wood (less heavy than the normal pipa). The peghead is made separate. The front falls within a rounded rim of the body and slightly bends in. It has a small crescent-shaped sound hole on both sides of the strings, and a small diamond shaped hole under the bridge. The nanyin pipa has only 4 triangular frets (instead of the 6 of the normal pipa, missing the lowest and the top one), made of triangular pieces of wood, covered with sea turtle shell. The 10 lower frets are made of the same thin material and in a diatonic scale. The fingerboard on both sides of the triangular frets is covered with mother-of-pearl. The peghead looks more like a biwa of Japan, bending back. It ends in a flat, rounded scoope. The tuning pegs are long and rounded, like the normal pipa. The number of (nylon) strings and tuning is also similar, but this pipa is not played vertical (resting on the knee), but horizontal, like a guitar. It seems this instrument and playing style (with a plectrum) is older than the normal pipa. Nanyin is a traditional opera sung in the Minnan (south Fujian) dialect. Closely tied with imperial and Buddhist music, poetic rhythm and drama tunes from Central China, Nanyin is accompanied by a band of erxian (fiddle), sanxian, dongxiao (flute), nanpa (bent-neck pipa) and paiban (clappers). In 2009 Unesco inscribed the Nanyin on the "Representative List of the Intangible Cultural Heritage of Humanity".
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sanxian examples right : bought from bookshop in Rotterdam 2004 (left : picture from Chinese website) L=890 B=145 H=75mm scale 650mm You Tube the large sanxian You Tube the small sanxian	sanxian The sanxian (or san-hsien, which literally means "three strings" in Chinese) is a popular Chinese banjo. It comes in two sizes : a small one (body diameter 14 cm) and a big one (body diameter 24 cm). The big one is also used in Mongolia, with the name Shanz or Shudraga (see under). Also the length of the neck is variable : in the south of China it is usually shorter. The body of the sanxian is made from a hoop of hardwood, with on front and back the skin of a snake (python), glued all around the edge of the rounded hoop. The fretless neck is also made of hardwood, and runs through holes in de body, with the end serving as pole to fix the strings. The pegbox is separate, and of similar wood. It has a slight curve to the back. The three long grooved friction pegs are cone shaped, often with strips of different material at the ends. Two pegs are on the right side and one is on the left side of the open pegbox. The 3 silk (or nylon or metal) strings run over a small loose wooden bridge to a wooden pin at the bottom of the body (which is the end of the neck). Tuning could be : G d g or : G c g. The sanxian is usually played with thumb and finger plectrums. With a strong, rich tone and a wide range, it is used in accompaniment as well as orchestral and solo performances. The big sanxian (which has a less sharp sound) is mainly used to accompany songs. The example instrument (with the small body) has a special wooden capodastre on the neck, through which all 3 strings go; by sliding this up and down the neck the easiest range for the singer can be found, without re-tuning.
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guqin example : bought via eBay, 2003 L=1230 B=200 H=50mm scale 1110mm You Tube	guqin/ ku chin The qin or guqin (or old spelling chin or guchin) is a seven string fretless zither, and one of the oldest instruments. Because it was played by the higher classes it was also known as the "lute" of China. In Chinese, "gu" means "old", and "qin" means "musical instrument". So although it was historically known as CHIN, during the last century is has been widely called GUCHIN. The body of the guqin is made from a big plank of hardwood (of about 1.20 meter), hollowed out from the back. The bottom is covered with a flat plank. The entire body is painted with black lacquer. In the bottom plank is a long slit (soundhole), which is covered on the inside with half a bamboo pole. Is has two round "feet" at the left side. The 7 silk strings are fixed on the right side to pegs that can be twisted (and therefore tuning the strings) from the bottom up. The strings run to a small bone bridge at the left end of the soundbox, and are then fixed at the bottom to some tuning device near the feet. The seven strings can be tuned in a variety of keys, but the basic tuning is: C D F G A c d. On the far side of the top string (the thickest, furthest from the player) are 13 white dots to indicate the flageolet points. The guqin is played by laying it flat on a table and plucking it with the right hand. The left hand shortens the strings (more or less holding the thumb sideways) by pressing the string down on the soundboard - often sliding up and down. Also a variety of flageolets can be produced. Because of this technic of shortening the strings, it is the only zither included here on the website. Maybe there are thousands of chin pieces in existence, some from 500 AD and many of these pieces are still played today. The music is in tablature, which gives detailed information about place, string, finger, direction, volume, etc. There is much symbolism surrounding the instrument. For example, it measures 3' 6.5" (Chinese feet and inches), to symbolise the 365 days of the year; the upper surface is rounded, representing the sky, the bottom is flat and represents the earth. The five strings of the earliest chins symbolise the five elements: Metal, Wood, Water, Fire and Earth. Finally, the 13 mother-of-pearl inlays along the outer edge represent the 13 months of the lunar year. In Imperial China, a well educated scholar was expected to be skilled in four arts: chess, calligraphy, poetry, and chin. For more information about the guqin see silk.qin.com.
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qinqin example : bought via eBay, 2010 L=920 B=260 H=60mm scale 630mm You Tube flower shape You Tube banjo shape	qinqin The qinqin (or chinchin, but same pronounciation) is a plucked instrument mainly used in folk music in South China. The qinqin can be found with several body shapes : 1. The traditional type qinqin often has a round or flower-shaped body (like the Vietnamese Dan Sen), or with six or eight (straight) sides. The back and the front are made of unvarnished soft wood, with dark coloured hard wood for the sides. It has no soundhole. The neck and the pegbox are often similar with the other Chinese instruments, with high frets, curled and decorated pegbox tops, and 3 large rounded pegs. The 3 (now nylon) strings run to a carved bridge, fixed to the front. 2. The more modern type qinqin may look like a guitar (similar to a dobro), or like a banjo. It always has a round banjo-like skin on the front - often made of snake skin (python). They usually have a guitar-like neck (with metal inlayed frets), and a flat peghead with tuners from behind. The 3 (metal) strings running over a loose small wooden bridge in the middle of the skin, to a stringholder at the edge of the body. The frets are often layed out with 7 equal intervals in an octave scale. Sometimes only two strings are used, or the first course is double. The qinqin is usually strummed with a plectrum or with the forefinger, and mainly used to accompany singing folk songs. The main difference with the flower-shaped Dan Sen from Vietnam is the number of strings: 3 for the qinqin and 2 for the Dan Sen.   left : a qinqin with guitar-shaped body and small banjo skin, bought from bookshop Rotterdam 1995 L=810, B=279 H=50mm . scale 550mm a real banjo-shaped qinqin (picture from eBay)
shuangqing example : bought at an auction from Collection Piet van Boxtel, Holland, 2022 L=1000 B=220 H=35mm scale 760mm You Tube	shuangqing The shuangqing (or shuangqin) is an instrument that is related to the qinqin, but is longer, has 4 strings in two pairs, and has an octagonal body. In Japan a smaller, but similar looking instrument would be called genkwan. The body is made from eight short bended pieces of hardwood for the sides, to form an octagonal shape. The front and back are covered with a thin piece of hardwood. Like the qinqin, it has no soundhole. The neck with the pegbox is made from a long piece of hardwood and goes through the body. The end of the pegbox is quite flat and has a slight curve to the front. The neck has 13 high white bone (or ivory) frets in a scale of 7 (more or less) equal intervals for an octave. The 4 long grooved friction pegs are cone shaped, and placed two on each side of the open pegbox. The 4 silk (or nylon) strings run in two courses to holes in a carved small bone (or horn) bridge, glued to the front. Tuning is probably all 4 strings to the same pitch, or to a fifth. The shuangqing is played with a plectrum. The shuangqing is rarely used anymore, but was populair in South China, playing in an ensemble with Shifan style music.
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sugudu example : picture from Gateaway L= ~1030 B= H=mm scale 0mm You Tube You Tube Naxi maker	sugudu This lute-type instrument is apparently now quite rare and only used by the Naxi people in Yunnan, a province in Southwest China. It is called sugudu, but also huobusi or hubo. It originated from Mongolia, and seems quite similar (and related) to the dramyen of Tibet. The body shape is also quite similar to an instrument shown on several 16th C Persian miniature pictures . picture from CD Iran > The body and neck of a sugudu is made from one piece of wood. The body shape slowly tapers to the top, and then goes over with vague "points" to the narrow neck. The lower part (a circle) is hollowed out, and covered with skin (now often python snake, but also goat was used). There is a narrow slit along the top of the skin. Halfway the neck are some decorated small "soundholes" in the front - probably originally the top half of the body was also hollowed out and covered with a thin piece of wood. The neck is long and fretless, and ends with a straight peghead, which maybe is slightly slanting to the back. The peghead is half open on the back. The 4 nylon strings are tuned by four long round friction pegs, which are all on the left side of the pegbox. This is the only old plucked instrument with this feature (but see also the huobusi - furtheron). The strings run over a loose small wooden bridge on the skin to a small string-holder at the edge of the body. Tuning could be E A d g. The left hand uses mainly the index finger for all the notes, while the right hand thumb and index finger are used for plucking. The sugudu is used for playing in a small group (with flutes, 2-string fiddles, pipa and sanxian) or in large orchestras. For more information see : sugudu.
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huobusi example : bought via eBay from Eastfelicity, China 2012 L= 900 B=320 H=90mm scale 480mm You Tube	huobusi This new guitar-type instrument is loosely based on the sugundu (see above) and named huobusi (or huobosi - all meaning "musical instrument"). It is mainly used in Inner Mongolia and comes in different sizes (primo, alto, tenor). The body of this huobusi is made like a guitar, but the (quite thick) front and back are slightly overhanging the sides. The bottom half follows the roundings of a normal guitar, but the top half has sharper curves. The soundholes on both sides of the bridge are decorative holes in a vague f-style. There are decorative black/white painted curly lines on the front, around the edges on the top half and along the bottom half. The short neck has a rather long tuning head, which has tuning machines hidden inside (like the ruan), with all the 4 tuning pegs (which turn the machines) on the left side (like on the sugudu). The tuning pegs have the shape of the end of an arrow. The front of the tuning head is decorated with cut-out white plastic, with the glued-on top ending in a shape resembling a Chinese helmet (or more likely : a bow-and-arrow). The thick fretboard has metal frets, and the long part over the soundboard is free from it. The 4 steel strings run over a large loose wooden bridge to holes in an extension on the bottom of the body. Tuning could be similar to the sugudu : A d g c, or like the pipa : A c d a, or ?. The huobusi is played with a plectrum (like the ruan) and probably used for playing in a small group or to play solos.
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huobusi example : picture from internet L= 00 B=00 H=00mm scale 00mm You Tube You Tube in Naxi orchestra	naxi pipa The Naxi people in Yunnan (Southwest China) use a type of pipa that seems similar to the normal mainstream Chinese pipa, but is older and different. It may also be called the pear-shaped pipa. This naxi pipa is larger than the normal pipa, and has a wider, rounder shaped body. It is made like the normal pipa, so completely (body, neck and tuning head) carved from a large piece of hardwood. Only the leaf shaped decoration at the top of the tuning head is separate. The body is hollowed and covered up to the top frets with a single thin piece of wood as soundboard. This wood is different from the normal pipa. There are usually two crescent moon soundholes on each side at the top of the body. The tuninghead is open and has four large round tuningpegs : two on each side. The main difference (besides the size) with the normal pipa is the number and spread of the frets. There are often four triangular wooden frets at the top of the neck. But as these are hardly ever used, they may differ in size and number. After some open space there are four high bamboo frets under all four strings, followed by four shorter frets under only the first two strings. The four silk (or nowadays nylon) strings run to a rectangular shaped wooden bridge glued at the end of the soundboard, to which they are fixed. Tuning is the same as the normal pipa : A c d a. Playing the naxi pipa is with the bare fingers, to accompany in small groups with several other naxi pipas, or in even larger orchestras.
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tianqin example : bought via website Yoycart, China 2025 L=940 B=170 H=110mm scale 670mm You Tube	tianqin The tianqin is popular amongst the Zhuang people. It looks very much like the dan tinh from Vietnam (see under) - the main difference is the peghead. Most of the Zhuangs live in southwest China's Guangxi Zhuang Autonomous Region. The Bupian people call it dingding. The tianqin is made from a small gourd (about 15cm diameter), with a thin round piece of wood glued on the opening. It has a long slender neck which is stuck through the gourd. The top end of the neck serves as tuning head, ending often with some kind of decoration, like the carving of a dragon. Some instruments have two tuning pegs (one on each side), others have three tuning pegs (one left, two on the right side). Nowadays guitar tuners are used and the large tuning pegs only for decoration. The two or three silk (or nylon) strings run over a small loose wooden bridge to the end of the neck that sticks out of the body. Often it has a special device fixed as stringholder. Tuning could be : (G) d g. The tianqin is played by strumming and picking, and usually with (many) players together, to accompany singing and dancing. picture from gxl.net
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dong pipa example : bought via Yoycart.com, China 2016 L=880 B=160 H=50mm scale 645mm You Tube	dong pipa The dong pipa is popular amongst the Dong people. It resembles the sung from Thailand (see page South East Asia). The Dong minority live in southwest China's Guangxi Zhuang Autonomous Region and Guizhou Province, as well as in south China's Hunan and Hubei provinces. The body (and first part of the neck) of the dong pipa is made from one piece of wood, hollowed out from the front. The soundboard is a piece of wood glued on the front. The body may be in the shape of a heart, a square or a bit rounded. The neck with the pegbox is made from another piece of wood, and joined halfway the neck to the body. It usually resembles the neck of a sanxien (China) or shamisen (Japan). It has 2 or 3 inlayed metal frets. In general the instrument will look a bit rustic. The 4 (or 5) strings are tuned with long rounded pegs on both sides of the open flat peghead. The metal strings run over a small loose wooden (or metal) bridge to a small fixing device at the end of the body. Usually there are 3 courses, with the first (and second) string double. The dong pipa is played by strumming, usually to accompany singing and dancing. picture from hausa.cri.cn
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yueqin Yi minority example : bought via Yoycart.com, China 2016 L=700 B=380 H=50mm scale 480mm You Tube yueqin Yi minority example : bought via Yoycart.com, China 2016 L=660 B=320 H=50mm scale 360mm You Tube	yueqin of the Yi minority The Yi ethnic minority uses a yueqin (moon-guitar), which is quite similar to the one used by the Han Chinese. However they call it : xianzi, kuzhu or sixian. The difference with the yueqin is mainly in decorations and soundholes, but sometimes also the body size, shape and the number of strings. (picture top left from englishpeopledaily) (picture top right from arts.cultural-china) left an octagonal yueqin or xianzi, highly decorated (picture from espanol.cri.cn) right a yueqin or kuzhu from the Yi in Yunnan Province, with 4 rosettes (picture from Flickr)
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qiben example : picture from website L=00 B=00 H=00mm scale 00mm You Tube	qiben The people of the Lisu tribe in Yunnan province in Southwest China use a lute-like instrument called qiben (or qibue). It comes in different sizes. The qiben is usually made from one piece of wood : body, neck and tuning head. Nowadays the shape of the body looks like a bishops mitre, but it can also be round or like a droplet. The body is hollowed from the front, and a piece of thin wood glued over it as soundboard. Usually that has many small holes in a decorative rhythmic pattern. The sides slant a bit to the (flat) back. The instrument seems not painted or varnished. The neck is fretless and flush with the soundboard. The tuning head is often in a slight curve. The top end may have some wood carving. The half open pegbox has four long round pegs : two on each side. Some tuning heads may be flat with guitar tuners. The four metal strings run over a loose wooden bridge to a stringholder at the bottom of the body. Tuning could be: d f g a, but there are more. The qiben is played fingerstyle : the lowest string picked as a drone, with a riff on the other strings. It is used to accompany singing or dancing.
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sixian example : bought via Amazon.com from China 2025 L=980 B=240 H=120mm scale 620mm You Tube	sixian The Pumi people use a lute-like instrument called sixian, or yangtou qin ("sheep's head lute"). The Pumi is a small ethnic group that live in the mountainous area of Yunnan Province in Southwest China, near the town of Lanping. The body of the sixian is made as a rather high six-sided wooden box, with a simple flat wooden back with some round holes in it. The front is covered with a sheep skin, glued and nailed around the edge. Often there is also some colourful ribbon around the edge of the box. The fretless neck is separate and runs through the box, with the end sticking out as a round pole. The tuninghead is separate from the neck, and half open, with on both sides two big round friction pegs (or nowadays guitar-tuners). The tuning head ends in a rather big carved head of a sheep, showing a stylised ear and horn on both sides. The entire instrument is varnished. The four metal strings run over a loose wooden bridge on the skin and are fixed to the pole at the end of the body. Also the bridge is fixed to it with a thin rope. Tuning could be something like : d f a# d'. The sixian is played by simple plucking with thumb and forefinger. It is used to accompany singing or dancing by the player, so it has a shoulder band, fixed to an eye on the body and on the tuning head.
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yueqin taiwan example : bought via eBay, 2010 L=650 B=280 H=60mm scale 460mm You Tube	yueqin taiwan In South China and on the island Taiwan they use a special type of yueqin. This instrument looks like a hybrid of several Chinese plucked instruments : the round body of a yueqin, the neck with the frets of a pipa, the tuning head of a sanxian and the size of a ruan ! But note that (like the ruan) there are different sizes. The flat round body of this yueqin is made of wood (back and side), with a thin piece of unvarnished soft wood glued to the front, on top of the sides. The neck and pegbox are made from another piece of wood. The frets are made of bamboo wood and in a diatonic (western) scale, with the first four frets made of triangular pieces, and the rest of thin high pieces. It has a small round soundhole under the bridge. The instrument is left in basic wood colour (the back and sides of the example are covered with wood-like plastic), not painted black like most Chinese instruments. It seems available in size medium (the example) and large. The two (sometimes three) nylon strings are tuned with long rounded pegs on both sides of the open peghead, and run to a halfround wooden bridge, fixed at the end of the soundboard. Tuning could be something like : d a'. The yueqin is played by strumming both strings with a plectrum (or finger), but only the first one is fingered. It is mainly used to accompany singing, or in small instrumental groups. In Taiwan it seems very popular with schoolchildren.

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tobshuur example : bought via internet from Sound-of-Nature, 2004 L=970 B=215 H=650mm scale 700mm You Tube	tobshuur (inner Mongolia, China) In the Chinese Province of Inner Mongolia they use a fretless tobshuur (or tovshur) that looks very much like the well known cello of the Mongolians, the Morin Khuur. It seems made in a factory. The body is built like a guitar, with some soft wood front. The body shape is usually quite rectangular, or bottle shape - it may vary between makers. The back, sides and neck are painted. The sound holes could be like two f-holes or just a single round hole. The decoration lines near the edge and the Mongolian signs are painted on the wood. The neck is flush with the soundboard and it has no fingerboard and no frets. The neck ends with a joined-on pegbox, often with a carved horse head, but other makers use the design of the Chinese sanxian. The two (nylon) strings are tuned with flat T-shaped wooden pegs, one on each side of the open pegbox. The strings go over a small loose bridge and are fixed by tying through two holes in a strip of wood at the bottom of the body. The tobshuur is strummed with the right finger (or a plectrum) and often only the first string is fingered (and the second with the thumb). It is mainly used to accompany throat singing.
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tobshuur example : bought via internet from Sound-of-Nature, 2004 L=880 B=210 H=80mm scale 620mm You Tube	tobshuur (Mongolia - the state) In Mongolia (the country) the tobshuur has a different shape. Although it used to be made with a skin top (like a banjo), nowadays they have changed to wooden tops for more volume. Also quite recently the idea of a swan has turned up. On CD's of Mongolian music these instruments are now often called "swan-neck-lutes". On the example the idea of the swan is not only used for the shape of the head, but also for the two sound-holes (cut in the front), and the carving on the back of the body. The instrument resembles much the bowed-lute igli from Tuva, which has a skin front and a horsehead peghead. The body of this tobshuur is carved from one piece of wood. The back has some carving in the shape of two wings. The neck is joined to the body and is, together with the peghead, made of one piece of wood. The peghead has a carving of a swan head. The eyes and the beack are painted. The fretless neck is flush with the soundboard and has no fingerboard (the black is painted on). The tobshuur has two (nowadays nylon) strings, tuned with a round wooden tuning peg on each side of the (open on the back) pegbox. The strings go through holes near the nut to the back. The strings go over a rather big loose wooden bridge, and are fixed to a wooden pin at the end of the body. The tobshuur is strummed with the right finger and often only the first string is fingered (or the second with the thumb). It is mainly used to accompany singing.
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topshur / khomys example : bought via internet from Khomys .com, Novosibirsk, USSR, 2004 L=860 B=190 H=80mm scale 60mm You Tube You Tube a group	topshur / khomys (Russian Federation) This is another tobshuur or as it is called in the Russian Federation : topshur or khomys. It looks more like the traditional tobshuur, as it has a skin front. So it also looks like the Tuva bowed-lute igli. The body of the topshur is carved from a solid block of wood in a smooth oval shape, and a small round soundhole in middle of the the back. The leather skin is not glued, but stretched by means of many pieces of (nylon) rope all around the back of the wooden body. In the skin are three small decoration holes. The neck and (square) peghead are made from a separate piece of wood. All the wood is painted dark brown. The topshur has two nylon (guitar) strings, which are tuned by a round wooden peg on each side of the (open on the back) pegbox. The strings go passed a plastic nut through small holes to the back. At the other end they run over a rather big loose wooden bridge to a small wooden pin at the end of the body. The neck is not rounded, but five-sided and slightly raised above the skin; it has no fret board. The frets are in western scale, and are made of wound nylon, but in one long binding, so all frets are joined. The topshur is strummed with the right finger and often only the first string is fingered. It is mainly used to accompany singing. Note that a "khomus" is the name of a jaw harp. The back of the topshur, with the ropes to fix the skin.
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shanz / shudraga example : bought via Leboncoin France, 2023 L=1210 B=210 H=90mm scale 930mm You Tube You Tube duo	shanz / shudraga This instrument is in fact the same as the large size Chinese sanxian (see above), which is also popular in the Mongolian area, but here it is called shanz or shanza or shudraga. The shanz has strings of nylon instead of the often used metal strings for the sanxian. The main difference with the sanxian is the playing technique : the shanz is played with a small piece of (round) bamboo stick. This is nowadays often replaced by the plastic tube of a ballpoint pen. The shanz is mainly used to accompany singing, and for "classical" music. Nowadays it seems also very populair in Mongolian popmusic. Note that in Tuva is an instrument called shanzy (see under), and in Buryat one called chanza (see under).
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doshpuluur example : bought from Tuva via eBay 2007 L=980 B=200 H=75mm scale 610mm You Tube	doshpuluur In Tuva (a small republic of the Russian Federation, just north-west of Mongolia) they use a kind of plucked instrument which is quite similar to the tobshuur, but called doshpuluur (also spelled : toshpulur, tochpuluur, dospulur, etc.) The doshpuluur is a kind of banjo, but usually with the body in the shape of a rectangle. The wooden sides are covered on both sides with goatskin. Sometimes (pine) wood is used for the soundboard. The skin is folded over at the top and on sides and bottom joined together with a leather rope. The (pine wood) neck (with the tuning head) is long and goes straight through the entire body. Some instruments have a few frets, but normally the neck is fretless. The fretboard goes a bit over the body. The peghead is open and often has a carving of a horse (very common around Mongolia). It has three tuners : one on the right and two on the left. The strings are tuned with three separate guitar-tuners - the long wooden pegs are just for decoration. The run over a large wooden bridge and are fixed to a pin at the bottom, which is in fact the end of the neck. Nowadays the three strings are metal wound (guitar) strings. Tuning could be C G c. The doshpuluur is played strumming (usually only the first string is fingered, the other string(s) are drones), to accompany throat singing.   left : Choduraa Tumat from Tuva playing square box doshpuluur (from Russian website)
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chanzy example : bought via internet from Tuvatrader, 2007 L=1000 B=360 H=40mm scale 660mm You Tube	chanzy In Tuva they use a second kind of plucked instrument, which is quite similar to the shudraga and called the chanzy (also seen : chanzi and tyanzi). It is regarded as a special shaped doshpuluur. The chanzy is a kind of (round) banjo, with a (goat or snake) skin glued on the front of a round wooden hoop. It has some decorative wooden box around it (made of triplex), in a kind of heart shape (some call it kidney-shape). Usually it has two similar soundholes and some painted decoration. The example instrument has a Ying-Yang shaped black plastic scratchplate glued to the skin. The neck is long and made of pine wood. Some models have frets, others not or (like the example) only drawn on. Like on the doshpuluur the three (nylon) strings are tuned by modern guitar tuners - the long pegs are just for decoration. Often the peghead has a carving of a horse (very common on instruments around Mongolia). The three guitar-strings run over a rather large loose bridge on the skin to a wooden stringholder, which is fixed with a rope to a pin on the bottom of the body. Tuning could be F c f. The chanzy is played strumming (usually only the first string is fingered, the other string(s) are drones), to accompany throat singing. Note that in Buryat a smaller instrument is called chanza (see under) from Russian website
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chanza example : picture from internet L=0 B=00 H=0mm scale 00mm You Tube group You Tube	chanza In Buryat (a republic of the Russian Federation near Lake Baikal in Siberia) they use besides the large Mongolian shanz (see above), a smaller instrument called chanza (or shanza). This instrument seems a combination of a shanz body with a mandolin neck. They come in several sizes : primo, alto, and tenor. As bass the large three string shanz is used. The body of the chanza is an oval wooden hoop, with a flat wooden back. The front has a python skin glued to it, while the cheaper student chanza may have a goatskin. Often a plastic scratch plate is fixed over the (right) top half of the front. Sometimes an octagonal box is surrounding the oval body. The neck is separate, with the fretted fingerboard running a few centimeters over the front. The tuning head is either double slotted (with two mechanical tuners on both sides) or flat with tuners from the back. The top of the tuning head often has a decoration of a horse head looking sideways, or it has a symmetrical end. The four metal strings run over a small wooden bridge on the skin to a string holder at the edge of the body. Tuning of the prima chanza is like a mandolin. The chanza is played with a plectrum (balalaika-style, with lots of tremelo) and mainly used to accompany singing, and for "classical" music. Note that in Tuva they use an instrument called chanzy, and in Mongolia another one called shanz.

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biwa example : bought via eBay, 2004 L=900 B=290 H=200mm scale 710mm You Tube	biwa The biwa is the Japanese lute, and looks much like its predecessor - the Chinese pipa. However it is quite differently played and the sound is also completely different. There exist several types of biwa, which differ in size and tuning, like the gaku biwa, the chikuzen biwa and the satsuma biwa. For more information see Biwa and Taiko-center. The body of the biwa is carved from one piece of hardwood, with a thin softwood soundboard, slightly rounded. This has two half moon shaped soundholes, with bone inlay around them. The back has vague carvings, like glued-on papers. The neck is part of the body (although on the example both the neck and the pegbox can be taken separate). The 5 (or 4) high frets (and the top bridge) are made from small "piles" of different woods, with a rounded top. The pegbox is square and bends backwards, ending in a kind of upwards curl. The 4 (or 5) silk strings are tuned with long round wooden tuning pegs, 2 on each side of the open bexbox. They are fixed to the bridge, which is a carved piece of wood glued to the front, and has bone (?) decoration on the sides and around the string fixing holes. The biwa is played with a big size triangular plectrum, which not only hits the strings but also the soundboard. Often there is a piece of decorative leather or paper glued to the front where the plectrum hits the wood. Because of the round shape of the top of the frets the strings buzz, which is the typical sound of the biwa. Occasionally the strings are pressed down between the frets to get the pitches in between the fixed frets. As biwas are rarely made anymore, you are lucky to find one - the example instrument had burn marks on the front, and missed the pegs and one fret, which are replaced by some look-alikes.
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shamisen example : bought from Ray Man Musicshop, London 1990 L=980 B=220 H=100mm scale 765mm You Tube traditional style You Tube in Bunraku You Tube modern shamisen-rock	shamisen The shamisen (or samisen or jamisen) is the most well known Japanese plucked instrument, which arrived around the 16th C in mainland Japan via the Chinese sanxian and the Okinawa sanshin. Both predecessors used python snake as skin, but for some reason (probably the lack of snake skin) the Japanese started using the skin of dog, or cat (which is more expensive because you can get less skin from one cat...). Nowadays often a synthetic skin is used, like on western banjos. Putting on a skin at the very high tension that is required, is work for specialists. As is the woodwork : the neck is made of 3 pieces which fit together (with special lips and holes) so tightly that you can hardly see the joins. The body of the shamisen is made from 4 pieces of hardwood, joined so they make an almost square hoop. On front and back a white skin is glued. The neck is made from 3 pieces of hard wood : one goes straigth through the body, (with the endpin used to fix the strings to). The middle is just a piece of neck and the top piece has the pegbox glued to it. The fretless neck is halfround and has no fretboard. The pegbox has a curve to the back and ends in a rather sharp edge - often protected by a piece of plastic. The left side of the body is protected with a piece of decorative cardboard, called "doate". The 3 silk strings (now yellow nylon) can be tuned by 3 long wooden tuning pegs on the side of the open slotted pegbox : two on the right, one on the left. The rim of the holes is made of copper. The brass nut is only for the first 2 strings; the 3rd string runs over a cavity to make the string buzzing, like the biwa strings. Sometimes it can be adjusted with a screw. The 3 strings run over a loose small, neatly carved bamboo bridge, and are tied to 3 coloured silk ropes. These are fixed to the end of the neck sticking through the body. Tuning can be : C F c (honchoushi), C G c (niagari), C F Bmol (sansagari). The shamisen is played with a large triangular plectrum (made of different kinds of wood, but nowadays often made of plastic or partly tortoise shell), which not only picks the strings, but also hits the skin to accent certain notes. The music is written in Japanese tablature, which gives quite detailed instructions how to play. Transporting the shamisen is easy : by slightly loosening the strings, the coloured ropes come loose from the endpin and the strings can be wound around the pegs, the neck taken in pieces and the entire shamisen fits in a small bag. The shamisen comes in slightly different sizes : nagauta, tsugaru, and jiuta - the main difference is the thickness of the neck. The most well-known use is in the traditional BUNRAKU puppet theater. Recently the shamisen is becoming very popular again in a quick and vigorous style : "shamisen-rock". For more information see Shamisen.
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sanshin example : bought via eBay from Japan 2004 L=780 B=190 H=75mm scale 600mm You Tube Okinawa style You Tube Amami style You Tube kankara sanshin	sanshin The sanshin is a kind of banjo, like the Chinese sanxian (where the name seems to come from) and its close relative : the Japanese shamisen. It is the "national" instrument of Okinawa - one of the Japanese islands in the South. The body of the sanshin is made from some pieces of wood glued together to form an almost round hoop. On front and back a skin is glued. This skin used to be made from python, but nowadays often a synthetic skin with python imprint is used. The fretless neck with (shamisen-style) pegbox is made from one piece of wood, painted all black. It goes all the way through the body. The 3 nylon strings are tuned with 3 long round wooden pegs (often black with white endings), 2 on the right and one on the left of the open pegbox. The strings run over a small loose plastic bridge to a decorative piece of rope-knot which is hooked on a wooden pin at the bottom of the body (the end of the neck). Around the body is a piece of cloth, with embroidery with special Okinawa decoration patterns. The tuning could be something like : c f c'. The sanshin is played with a special finger-like plectrum, which fits over the index finger. It is made of horn or nowadays : plastic. The sanshin is mainly used to accompany folk songs. For more information see simplesanshin. On the islands of Amami (between mainland Japan and Okinawa) the same sanshin is played, but with a pick made of a long thinly shaved bamboo stem. At the end of WorldWarII materials were scarce and the body was made of empty milk tins : these simple instruments are now again available : the kankara sanshin. kankara sanshin example : bought via eBay from Japan 2013 L=750 B=155 H=85mm scale 570mm
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gottan example : bought via Etsy from MurasakiMusic, Japan, 2023 L=900 B=180 H=70mm scale 690mm You Tube	gottan The gottan is a shamisen made completely out of wood - usually of Japanese cedar. Other names are hako shamisen or ita shamisen. It is mainly populair in the south of Kyushu (Kagoshima and Miyazaki). The body of the gottan is made from four pieces of wood, glued together to form more or less a square. Some are shaped to have more rounded sides. On both front and back a thin piece of wood is glued. The fretless neck is made from one piece of wood, with one end going through the body. The pegbox (square or shamisen-style) is separate. The entire instrument is left unvarnished. The 3 (yellow) nylon strings are tuned with 3 long round (or square) wooden pegs, two on the right and one on the left side of the open slotted pegbox. The strings run over a small loose wooden bridge to a decorative piece of rope-knot, which is hooked on a wooden pin at the bottom of the body (the end of the neck). The tuning could be something like : c f c'. The gottan is played with a normal small plastic plectrum, to accompany folk songs.
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gekkin example : bought via Etsy.com from Klektik, 2016 L=670 B=365 H=35mm scale 430mm You Tube	gekkin The gekkin is the close relative of the Chinese yueqin, and nowadays the instrument is not made in Japan anymore : all instruments these days come from China, and are in fact normal yueqin (see China). The old gekkin (made in Japan) was almost the same as the modern yueqin : so also two circles of softwood for soundboard and back, but now glued on top of the narrow strip of hardwood for the sides. Inside the body is a long circular piece of wire that makes a jingling sound when the instruments is shaken/played. It has a short separate neck (which runs through the body), with a sickle shape pegbox, ending in a separate decorative plate at the front with some woodcarving. Frets are bamboo, ivory or bone strips, glued to the fingerboard. They are usually in a western diatonic scale. The four (silk) strings are tuned with long rounded friction pegs, two on each side of the open pegbox. The strings (in two double courses) are tied to the bridge, which is a half round piece of hard wood, glued to the front. Tuning would probably be all strings to the same pitch. On most old Japanese instruments the front was decorated with glued-on dark coloured wooden ornaments and near the bridge a square piece of cloth or snake skin. The gekkin is played with a long thin plectrum to accompany Chinese folksongs, but the instrument is not often used anymore. For some information about repairing old gekkin : see charliezhang (in Japanese).
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taishogoto example : bought via eBay, 2008 L=690 B=130 H=75mm scale 500mm Electronic taishogoto, picture from Japanese website Jamabika You Tube normal playing You Tube special playing

taishogoto It may be a surprise to find the simple folk-like Indian bulbul tarang (see India) to be quite popular in Japan, where it is called taishogoto (also spelled: taisho-koto). Maybe this is the reason why this instrument is often called "Japanese Banjo". Some instruments are electric and even have electronic devices attached to it. Basically the taishogoto is a long acoustic sound box, with strings on top (close together), which can be tuned on the left side, and strummed with a pick on the right side. With the left hand you can press typewriter-like keys, which press down small metal bars on the strings, and work as frets (although there are real frets as well). The keys are usually numbered (both in India and Japan, music is notated in numbers, like our do, re, mi), according to their relative pitch. The taishogoto is usually played by large groups of women playing together popular music. See more information here : Taishoharp.

 

 

top	KOREA
dang bipa hyang bipa wolgeum pictures from website Korea-fans.com	Korea does not have many plucked instruments, just a few zithers. In the past there were lute-like instruments, based on Japanese and Chinese originals. However these instruments are no longer used. Just to show you, here some pictures I found on a website. These included some pipa/biwa type lutes, like: - the 4 string dang bipa - the 5 string hyang bipa The round moon-guitar type instrument was called wolgeum, which had 4 strings. For more information see Koreanmusic. It seems at least the Hyang bipa is getting a revival : You Tube hyang bipa You Tube dang bipa and wolgeum
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komungo example : picture taken in Holland during concert by The Court Music Troupe of the National Gugak Centre L=~1500 B=~200 H=~60mm scale ~1300mm You Tube traditional You Tube a modern use	komungo The komungo (or also called geomungo) is a long zither, quite similar to the Japanese koto or to the Korean gayagum. Although normal zithers are excluded from this website, the komungo is fretted, so several strings can be used for different pitches. The body is usually made from paulownia wood, hollowed out at the bottom like a half tube. The back and both ends are pieces of hardwood. There are 16 fixed frets for the 3 inner strings and 3 movable bridges for the 3 outer strings (which are always played open). Two open strings are on the far side of the player, and one is nearest the player. The high frets are made of hardwood. The 6 silk strings are at the right side of the player fixed to a small piece of wood, and run from underneath through a hole in the body, over the wide nut/bridge to the other side of the zither and are there tied with a special knot to a long silk rope, which is tied to the end of the body. The komungo is played sitting cross-legged with the right side of the instrument on the lap. The strings are not strummed with the fingers, but with a bamboo stick as plectrum. Nevertheless, the sound is quite similar to the koto and kayagum, which are always played with (long) open strings. The hitting of the strings with the stick can sound quite percussive.

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oungum example : picture from internet L=~700 B=0 H=0mm scale ~430mm You Tube	oungum The oungum (also spelled : eoeungeum) is an instrument made and found only in North Korea. It is there the national instrument. According to legend it was designed in 1962 by fellow students of chairman Kim Jong Il and named by him. It is said to be based on the original hyang bipa. The oungum is about the size of a mandola. It is made like a flat back mandolin, with a pear shaped body and a round soundhole. The fretboard is higher then the front and runs up to the soundhole. It has frets in a normal western scale. The tuning head is either half open, with two large round friction pegs on both sides. Others have internal machines (like the Chinese ruan) with knobs on the front. The top of the tuning head is slightly bended back. The 4 metal strings run over a quite large loose bridge to a separate wooden stringholder, which is fixed to the end of the body. Another version has a wooden cover over the full width of the body. The tuning of the oungum is guitar-like : g c' e' a'. The oungum is played (solo or in an ensemble) with a plectrum, in a mandolin-style, with often lots of tremelo. a different version oungum >>
top	VIETNAM In Vietnam most instrument resemble quite closely the Chinese ones, some even have similar names. However some instruments only exist in Vietnam, like the Dan Day and Dan Bau (DAN means LUTE). In general the Vietnamese instruments nowadays seem to be very highly decorated, with lots of inlayed mother-of-pearl all over the instrument. Much information about Vietnamese instruments can be found on : vietnam culture, and about Vietnamese music : vietmusic.
dan nguet / dan kim example : bought via internet from Hong Nhung in Vietnam, 2006 L=1000 B=370 H=60mm scale 720mm You Tube	dan nguyet / dan kim The Dan Nguyet or Dan Kim is a relative of the Chinese yueqin or ruan, but with a much longer neck and only two strings. The front and back of the body of the Dan Nguyet are made from a round piece of unvarnished soft wood (diameter of about 350 mm). The side is made of bended hardwood, about 60 mm in height. There is no soundhole. The neck is separate, without a fingerboard and glued to the body. The peghead is made from one piece, slightly sickle shaped and ending in a spade-like backward curve. On both sides of the open pegbox is a long rounded tuning peg, ending with decorative slices of different materials. Often the Dan Nguet still has holes for 4 pegs, but nowadays only 2 strings (and pegs) are used. The frets are high pieces of hardwood, with the rim of bamboo. They are in a kind of pentatonic scale, based on 7 intervals in an octave. Two nylon strings (tuned to a fifth or a fourth) run to a carved wooden bridge, glued to low end of the soundboard. In the past fingernails were used to play Dan Nguyet. Nowadays, they play it with a plastic or tortoise-shell plectrum. Dan Nguyet is used to accompany singing, in ceremonial music and in the traditional orchestra. Vietnamese instruments are nowadays highly decorated with many mother-of-pearl figures inlayed on sides, neck, pegbox and bridge.
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dan sen example : bought via internet from Hong Nhung in Vietnam, 2004 L=890 B=280 H=50mm scale 630mm You Tube	dan sen The Dan Sen is a slightly smaller instrument than the Dan Nguyet, but is in fact made in the same way. The body of the Dan Sen has the shape of a flower (with 6 "petals") and two thin nylon strings. Its origin is the Chinese qinqin (which usually has 3 strings). In addition to the different body shape compared to the Dan Nguyet, the frets of the Dan Sen are fixed in a diatonic scale instead of the pentatonic scale of the Dan Nguyet, but still based on 7 intervals in an octave. The side of the body, the bridge, and the neck are highly decorated with inlay mother-of-pearl. It is only used in the Hat Boi (Traditional Drama) in South Vietnam. detail of the inlay on the side of the dan sen
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dan doan example : bought via internet from Etnian.com, 2010 L=610 B=360 H=55mm scale 340mm You Tube	dan doan The Dan Doan looks very similar to the Chinese yueqin ("moon-guitar"). It is sometimes also called Dan Nhat or Dan Tu. The body of a Dan Doan is made of a long bended strip of hardwood. The almost circular shaped front and back are made of unvarnished softwood. The short neck is separate and is inserted into a square hole in the body. The frets are strips of (rough) bamboo, glued to the neck and soundboard, in a diatonic scale. The open tuning head curls slightly to the back, and has 4 long round tuning pegs (two on each side). The four (sometimes three) nylon single strings run to a half round bridge, glued to the soundboard. There are no sound holes anywhere. It is played with a plectrum.
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dan day example : bought via internet from Hong Ngung in Vietnam, 2004 L=1240 B=230 H=55mm scale 940mm You Tube	dan day The Dan Day is the main lute of the Viet majority. Its literary name is "Vo de cam" or "bottom-less lute". It can be found only in Vietnam. The sound box of a Dan Day has the shape of a trapezium of hardwood with sides of about 28x20 cm, and a depth of about 6 cm. The soundboard is made of unvarnished light softwood. The back is also softwood, but with a rectangular sound hole, covered with a wooden rosette. The very long neck (about 80 cm from body to nut) is glued into the body (it seems to go right to the bottom with a pole) and continues into the peghead, which widens in a curved banian leaf shape. It has 3 long rounded pegs : two at the right and one at the left side of the pegbox, which is open on the back. There are no frets on the top half of the neck, only lower down are 10 high frets, made of hardwood with a rim of bamboo. The 3 nylon strings run to a box-shaped bridge, glued to the front. The tuning of the Dan Day is in 4ths. When the player presses at the first fret over the three strings, the three tones are : g c' f'. The playing of the traditional Dan Day differs from other lutes by something peculiar : open strings are never played. It used to be exclusively played by men to accompany the "A Dao" (or "Ca tru") singing genre in North Vietnam.
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dan tam example : bought via eBay, 2006 L=900 B=150 H=80mm scale ~550mm You Tube You Tube	dan tam This three-stringed banjo-lute is used by several ethnic groups in Vietnam. The Viet call it Dan Tam, whereas the Ha Nhi call it Ta in. The Dan Tam exists in three sizes: large, medium, and small. The small one is the most popular. It is quite similar to the Chinese sanxian, and a relative of the Japanese shamisen, and the Mongolian shanz. The sound box of the Dan Tam is oval-shaped, with (python) snake skin on the front. In fact the front is rounded wood, with a small square hole in the middle; the skin seems to be glued to the rounded edge. The back and sides of the body are made of wood. The back has a carved soundhole. The neck is made of hard wood and fretless. There are three round wooden pegs, two on the right, one on the left of the open pegbox. The three strings were traditionally made of twisted silk, but are nowadays usually nylon. They run through a small wooden device bound to the neck that can slide up and down, providing a movable nut (and scale length). Tuning is normally f c' f'. Playing is with a plastic plectrum. The tones of the Dan Tam are bright and cheerful. The techniques for the left hand include tremolos, trills, picking, stopping and especially sliding. Full tones, three-quarter tones and quarter-tones can be played. The Dan Tam is often part of an orchestra accompanying Cheo drama. Left : the back of the body with the soundhole. Right : the rounded front with the python skin.
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dan tyba example : bought from Etnian.com, 2010 L=970 B=260 H=50mm scale 680mm You Tube You Tube	dan tyba The Dan Tyba is very similar to the Chinese pipa. The main difference is that the top six frets are not triangular, but just the same high strips of wood that are used for the rest of the frets. The frets are sometimes in a special oriental scale (7 frets in an octave - like the example), but often in a western scale (sometimes omitting a few frets). The body of the Dan Tyba is often more slender than the pipa, but you can also find instruments with a quite broad body. Nowadays the instruments in Vietnam seem to be very highly decorated with mother-of-pearl inlay; not only the neck and bridge, but also the back of the body. The peghead has often a woodcarving with a picture of a bat. The 4 strings are made of nylon, and tuned g c' d' g'. The player uses a plectrum and holds the instrument vertical (like the pipa) or horizontal (like a guitar). The technique for the left hand, which presses the strings, includes glissando, staccato, arpeggio and tremolo. The Dan Tyba music is light and cheerful. The instrument is played solo or as part of an orchestra or a band accompanying the singing of Hue melodies or operas.
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dan bau example : bought via eBay 2002 L=1030 B=85 H=60mm scale 910mm You Tube	dan bau The Dan Bau is a monocord, a very typical Vietnamese instrument, as it is only played here. The example is a newer model and designed to fold in half for easy transport and even has a single pickup for electric amplifying. The body is basically a large box, made of hardwood, about a meter long. The bottom is closed with some flat soft wood. The top is covered with softwood too, but in a slightly concave shape. There is one metal string which runs from the right side over a tiny bridge through a hole in the top to the back, where it can be tuned by a tuning peg - or nowadays often a huge single tuning machine from a bass guitar. The string runs slightly upwards to the left side where it is fixed to a long flexible pole made of horn, which stands on the soundbox and ends in a curl. At the fixing point of the string a small round wooden "hat" (formerly a small gourd) is loosely fitted over the pole. As with all Vietnamese instruments the Dan Bau is highly decorated with inlay of mother-of-pearl. The way of playing is to lay the Dan Bau on a table and hold the pole with the left hand. With the right hand the string is plucked with a long wooden plectrum, and by touching the string at the same time with the side of the right hand flageolets are produced. This is quite tricky as there are no visible orientation points to find the proper spots. However according to legend, the Dan Bau was traditionally played by blind (!) musicians. By bending the pole with the left hand a vibrato, sliding sounds and all notes in between the (few) flageolet notes can be produced. Today, Dan Bau takes part in the ensembles of theatrical music, and even in groups playing modern music.
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ghita example : bought via eBay, 2003 L=980 B=390 H=85mm scale 630mm You Tube You Tube electric	ghita The ghita (or Dan Ghi-ta) is a remarkable guitar-shaped instrument, but typical of the Vietnamese instruments. It is also called luc huyen cam or vong co guitar (after the music style). The story is that the Vietnamese who emigrated to the USA in the 1930's were eager to get an instrument that could be played like their home instruments - when you pluck a thin string between high frets (like on the Dan Nguyet for instance) you can easily bend the tone up by pressing a bit harder. To reach that same effect on a guitar (which was easy to buy in USA) they scraped the fingerboard between the frets in a scalloped way; the frets were left in place. (This scalloping is now also used by some western guitarplayers to ease very fast playing). The number of strings was reduced to 5 (one tuner left open) and they were tuned in an open tuning, like : c f c' g' c''. The example instrument is actually made in Vietnam (in a hybrid Fender fashion), with 6 tuning machines, but 5 strings, over a loose bridge. The instrument seems to have been bashed about quite a lot and is even painted at some stage. However the special scalloped fingerboard has survived it all. The Vong Co guitar is still quite populair in Vietnam, especially for the Vong Co Opera style, and even electric guitars are used, but all with the scalloped fingerboard. See for examples : Saigonstrings.
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dan tinh example : bought via internet from Hong Ngung in Vietnam, 2006 L=1100 B=390 H=115mm scale 730mm You Tube	dan tinh Dan Tinh is a kind of banjo, played by some ethnic groups in north Vietnam. The Tay and Nung calls it Tinh Then, while the Thai ethnic group calls it Tinh Tau ('Tinh' means a lute and 'Tau' means a gourd). It looks identical to the Chinese tianqin. The body of the Dan Tinh is made from a thick, round bottle-gourd of about 20cm diameter. On the back are 6 small soundholes. The front is often made from thin cinnamon wood which is glued in the rim of the cut-off gourd. The neck is made of one piece of some hardwood (often 'Thung muc' or strawberry wood) and goes with a pin through the gourd and sticks out at the bottom. Traditionally the length of a Tinh lute is equal to 0.9x the fist’s length of the player (or 75-90 cm). Experience shows that this length would best fit with the player’s voice. There are no frets. The tuning head is in the shape of a sickle (with the curve to the back), or sometimes a bird, It has two round friction pegs, one on each side. Formerly, the two strings were made from silk, polished with beeswax or the resin of sweet potato leaves. Nowadays they are replaced by normal (less tasty...) nylon strings. They run over a small loose wooden bridge on the front, and are fastened to the neck pin at the bottom of the body. Dan Tinh has either two or three strings. The two-string Tinh is tuned at a fourth or fifth. The three-string Tinh is the same, with the 3th string tuned an octave lower than the high string. The Dan Tinh is played with a plectrum. Fingering techniques are mainly glissando, slurring, mordent and vibrating. Dan Tinh is used by several ethnic groups to accompany singing. It is normally played by men only, but with the 'Then' of the Tay ethnic group it is played by women only.
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